Ferne Yangyeitie Caulker-Bronson is a distinguished Professor Emerita of Dance at the University of Wisconsin-Milwaukee, where she has dedicated decades to the advancement of African and Caribbean dance and music. Her journey in academia began in 1971, and since then, she has been a pivotal figure in the development of courses that explore African dance and its rich history. Her visionary efforts led to the establishment of the Dance Department's Bachelor of Fine Arts Degree in Choreography and Performance with a focus on African dance, marking a significant milestone as the first program of its kind in the United States. In addition to her academic contributions, Caulker-Bronson is the Founder and Artistic Executive Director of the Ko-Thi Dance Company. This esteemed company is celebrated as a cultural treasure in Wisconsin, known for its vibrant performances that have graced international stages. Under her leadership, Ko-Thi Dance Company has garnered numerous accolades for its commitment to preserving and promoting African dance and music traditions. Caulker-Bronson's research endeavors have earned her significant recognition, including being named a Fulbright Scholar in 1994. Her scholarly pursuits were further supported by the University of Wisconsin-Milwaukee's prestigious Research Grant Initiative in the 2012/13 academic year. Her research not only enriches the academic community but also contributes to a broader understanding and appreciation of African cultural heritage. Beyond her teaching and research, Caulker-Bronson has made substantial contributions to the arts through her involvement in various publications and her service on numerous arts-related boards. Her dedication to promoting African cultural traditions in dance and music is evident in her extensive body of work, which continues to inspire and educate future generations. Throughout her illustrious career, Ferne Yangyeitie Caulker-Bronson has been a beacon of cultural preservation and innovation. Her tireless efforts have not only elevated the status of African dance within academic and artistic circles but have also fostered a deeper appreciation for the cultural narratives embedded within these art forms. Her legacy is one of passion, dedication, and an unwavering commitment to the arts.