

Finbarr Barry Flood
Dr. Finbarr Barry Flood is well-respected in the field of art history, serving as a professor at New York University's Institute of Fine Arts and the College of Arts and Sciences. With a profound dedication to the humanities, Dr. Flood has established himself as a leading authority in Islamic art and architecture. His scholarly pursuits delve into the cross-cultural dimensions of Islamic material culture, exploring the rich tapestry of image-making theories and practices that have shaped the Islamic world. As the founding director of Silsila: Center for Material Histories, Dr. Flood has pioneered research that bridges the gap between historical inquiry and contemporary understanding. His work is characterized by a deep engagement with technologies of representation and the historiography of art historical methodology and theory. This has positioned him as a critical voice in discussions surrounding Orientalism and the interplay between modernity's technology and concepts. Dr. Flood's research extends into the realms of occult and therapeutic materials, where he examines the intersections of art, science, and spirituality within Islamic contexts. His contributions to the field are not only theoretical but also practical, as he investigates the art and architecture of the Islamic world through both historical and modern lenses. Throughout his illustrious career, Dr. Flood has authored several influential books and articles, each contributing to a deeper understanding of Islamic art and its global impact. His scholarly excellence has been recognized through numerous awards, underscoring his commitment to advancing knowledge and fostering dialogue within the academic community. In addition to his academic pursuits, Dr. Flood is a sought-after speaker and collaborator, engaging with scholars and institutions worldwide to further the study of Islamic art and architecture. His work continues to inspire new generations of researchers, ensuring that the rich legacy of Islamic material culture remains a vibrant and integral part of the global art historical narrative.
Research Interests
Publications
, 47-78, 2006-02-01
, 263-294, 2005-09-01
, 1-39, 2019-10-02
, 566-569, 2013-07-30
, 2015-10-01
, 2002-11-04
, 15-56, 2000-01-01
, 139-183, 2000-01-01
, 517-520, 2013-04-01
, 287-295, 2016-05-23
, 79-115, 2007-03-22
, 168-219, 2016-09-01
, 365-397, 2011-04-14
, 41-72, 2001-01-01