Jeffery Jampol
Jeffery Jampol champions interdisciplinary research on the music industry, blending his extensive experience as a Grammy-winning and Emmy-nominated producer with academic insights. As a Lecturer in Music Industry at UCLA's Herb Alpert School of Music, Jampol brings a wealth of practical knowledge to his students, drawing from his illustrious career in managing some of the most iconic names in music history. In his role as CEO of JAM, Inc., Jampol manages a diverse array of renowned artists and bands, including the legendary Doors, Jefferson Airplane/Jefferson Starship, and The Mamas & The Papas. His expertise in artist management is further highlighted by his stewardship of the estates of iconic musicians such as Jim Morrison, Janis Joplin, and Michael Jackson. This unique position allows him to offer students firsthand insights into the complexities and nuances of managing both living artists and the legacies of those who have passed. Jampol's influence extends beyond individual artists, as he also oversees a roster of legendary artists and their estates, including George Clinton, Charlie Parker, Juan Gabriel, and John Lee Hooker. His work ensures that the legacies of these musical giants continue to thrive and inspire future generations. His commitment to preserving and promoting the cultural significance of these artists is evident in his strategic management and innovative approaches to estate management. At UCLA, Jampol is dedicated to fostering a dynamic learning environment where students can explore the intersections of music, business, and culture. His courses often emphasize the importance of understanding the historical context of the music industry while also preparing students for the ever-evolving landscape of modern music management. Through his teaching, Jampol encourages students to think critically about the role of music in society and the impact of technological advancements on the industry. Jampol's passion for music and education is reflected in his ongoing efforts to bridge the gap between academia and the music industry. By sharing his experiences and insights, he aims to equip the next generation of music industry professionals with the skills and knowledge needed to succeed in a competitive and dynamic field. His dedication to both his students and the artists he represents underscores his commitment to the enduring power of music as a cultural force.